A nightly pause from the news to give the reader/viewer a bit of classic entertainment.
An evening pause: Whoever says that the Hollywood of the 1930s and 1940s only made feel-good films with happy endings has never watched very many of those films. Here’s some stark uncontrolled anger, from one of James Cagney’s best films, White Heat (1949), directed by Raoul Walsh.
An evening pause: Here is an iconic movie scene from an iconic director (John Ford). The film is My Darling Clementine (1946), one of the best westerns ever made. Tough guy sheriff Wyatt Earp, played by Henry Fonda, makes the toughest decision in his life. And it has nothing to do with firing a gun!
An evening pause: In a previous post, I described how I have always felt that Julie Andrews’ incredible screen presence was only rarely taken full advantage of during her career. In Mary Poppins — one the films that did showcase her wonderfully, Andrews’ co-star was Dick van Dyke, an amazing talent in his own right. For that film, Andrews and van Dyke had a chemistry that was riveting. In an earlier movie era, the studios would have taken advantage of that chemistry and cast them together again and again, much as Spencer Tracy and Katherine Hepburn were repeatedly cast together throughout the 1940s and 1950s. Unfortunately, by the 1960s the studio system was dead and such casting was impossible, and Andrews and van Dyke have never again appeared on the big screen together.
However, in 1974 they did do a television variety show special together, Julie and Dick in Covent Garden. One particular skit from that show not only demonstrated vividly the chemistry between Andrews and van Dyke and how we had lost something precious by not having them appear together in many films, the skit’s story itself illustrated in a most ironic manner these lost opportunities of life. Enjoy.
An evening pause: Jack Benny and Mel Blanc on the Johnny Carson show, 1974. After you have watched and laughed, ask yourself this question: why is it funny? The answer: because sometimes the best “funny” is in how it’s done, not in what is said.
An evening pause: This haunting song from the movie Seven Brides for Seven Brothers is notable not only because of the beauty of the music and dancing, but because the entire number is shot as one take, no cuts. Everyone, from the actors with their axes to the crew moving the camera on its dolly and crane, had to be right on cue for everything to work. Note also that this version uses the original voices. In the movie the voice of the lead singer, Matt Mattox, was dubbed.
An evening pause: a classic comedy moment from the Carol Burnett Show. Tim Conway says a few simple words that on their face are not that funny, but somehow he not only puts you and the audience in tears, he destroys everyone on the set as well.
An evening pause: Remembered mostly today for his dedication to entertaining our American troops overseas as well as his comedy movies with Bing Crosby, Bob Hope was more than this. He had one of the quickest wits of any comic in history combined with a manner that was gentle but honest. It is a shame that few comics today can put this combination together, going instead for a kind of Don Rickles-type insult humor instead. Here is Hope (with his co-star Jane Russell) in the movie The Paleface, showing that he could sing as well. The second-half of the clip shows a not-too-interesting skit with Roy Rogers and (again) Jane Russell with all three singing the same song:
An evening pause: Julie Andrews, in her prime, had one of the most incredible screen presences of any actor in the history of film. Unfortunately, though everyone will agree that she has had a marvelous career, except for a few rare but truly wonderful exceptions (Mary Poppins, The Sound of Music) I have always felt that her amazing ability to mesmerize an audience with a mere look was generally wasted in most of the movies she made.
Here is Julie in the movie Star!, which did not do well when released because it came out at a time (1968) when filmgoers seemed uninterested in entertaining musicals. Movies then had to relevant (oh that word!). She is playing a young woman whose deepest passion is to perform on the stage. This scene is her first real chance to do something solo. Stay till the end. Her first words after the she leaves the stage says it all. Unfortunately the versions available now cut that last line, where she so sincerely says, “That was wonderful.”
