David Frazer – The Deal
An evening pause: Watch as the artist creates a work of art, that can be reproduced endlessly..
Hat tip Cotour.
Tag: entertainment
Alan Jackson – Mercury Blues
Hand Clap Skit
An evening pause: All the website tells me is that this was performed at a youth conference talent show.
Hat tip Tom Biggar.
An evening pause: All the website tells me is that this was performed at a youth conference talent show.
Hat tip Tom Biggar.
Linda Ronstadt & Johnny Cash – I Never Will Marry
An evening pause: Performed live on television, 1969, on the Johnny Cash show.
Hat tip Jim Mallamace, who notes that “life imitates art, Ronstadt never married.”
An evening pause: Performed live on television, 1969, on the Johnny Cash show.
Hat tip Jim Mallamace, who notes that “life imitates art, Ronstadt never married.”
Naudo – Staying Alive
Andrey Vinogradov – A dark medieval ballad played on a hurdy-gurdy
An evening pause: Hat tip Jim Mallamace, who calls this “Music to accompany the plague.” Seems appropriate considering the events of the last year.
More on the history and design of the hurdy-gurdy here.
Maxi Borgaro – Unchained Melody
An evening pause: Nice cover, sung by someone who’s first language is not English.
Hat tip Jim Mallamace.
A Millennial Job Interview
U2 – Mysterious Ways
An evening pause: Stay with it for what is made to appear as an impromptu addition of an audience member dancing. She steals the show.
It might be improvised, but if it was, it happened repeatedly, at different places, sometimes with a girl that looks identical to this one. I suspect they pre-planned it each time, but no matter, it works quite well this time, for sure.
Hat tip Cotour.
Jalan Crossland – Moonshiner
The Miracles – Love Machine
A evening pause: Fun stuff, but the dance choreography does make me think I’m watching an exercise video.
Hat tip Cotour.
Jerome Robbins – Mistake Waltz
Sam The Sham & The Pharaohs – Wooly Bully
Sean Rowe – To Leave Something Behind
An evening pause: This guy might not be the greatest guitar player or singer, but stay with it, the song and words I think make up for any lack in playing.
Hat tip Mike Nelson.
Taxi -Jim Spikes Louie’s Coffee
An evening pause: From one of television’s best comedy shows. Note the number of people from this show who became very big movie stars.
Hat tip Cotour.
Hanson – MMM Bop
Kurt Vonnegut – the Shapes of Stories
An evening pause: There is an old saying that all story plots can be summed into one of the following three categories: Man vs Man, Man vs Nature, and Man vs Himself.
Vonnegut gives us a far better summary.
Hat tip Mike Nelson.
Foreigner – Waiting For A Girl Like You
Deniece Williams – Let’s Hear It for the Boy
Anne Reburn – Mr. Sandman
Leroy Anderson – Syncopated clock
An evening pause: A very well known piece of music from one of the most popular composers of the post-World War II era that you’ve probably never heard of, Leroy Anderson.
Any New Yorker who grew up in the 1960s will immediately recognize it as the theme music used for CBS’s afternoon and late night movie presentations, where they would squeeze two hour movies into 90 minutes slots that were really only about 60 minutes after commercials. (My first impressions as a child of many of Hollywood’s great movies was noticeably distorted because of this.)
Hat tip Diane Zimmerman.
Heart & the Royal Philharmonic Orchestra – Alone
Moranbong Band – Csardas & Gypsy Airs
An evening pause: Hat tip Jim Mallamace, who notes,
Talk about an eclectic Evening Pause. “Csardas” was written by Italian, Vittorio Monti, in the early 20th century. “Gypsy Airs” was composed by Spaniard, Pablo de Sarasate, in the late 19th century. Both compositions are inspired by Hungarian music. And the orchestra is North Korean.
The band was organized by North Korea’s Supreme Leader, Kim Jong Un. This performance was from 2012. From the link this interesting tidbit:
In December 2015, Kim Jong-un sent the band to perform in a series of shows in Beijing to improve relations between China and North Korea; these would have been the band’s first performances outside of North Korea. However, the band left Beijing on a scheduled flight to Pyongyang only a few hours before their performance was scheduled. China’s Xinhua news agency stated that all of the band’s performances had been cancelled due to “communication issues at the working level.” The Korea Herald reported that North Korea had cancelled the tour because China had requested that North Korea’s missiles should not be shown during performances.
Don Williams – Good Ole Boys Like Me
The Boomtown Rats – I Don’t Like Mondays
Vikki Carr – It Must Be Him
Alizee – J`en Ai marre
An evening pause: Performed live 2004, when such joyous concerts were possible.
Hat tip Jim Mallamace.
Hilary Hahn – Mendelssohn Violin Concerto in E minor, Op. 64
Today’s blacklisted American: Anyone in Hollywood who is white
A banned race in Hollywood.
Blacklists are back and Hollywood’s got ’em: Warner Brothers has decided its next Superman will be super-woke and must star a black Superman.
More important, the studio has decided that in order to make the film the “super-woke” concept they envision it must only hire blacks to make it. Not only has the studio hired a black writer to write the script, it is insisting that the director and crew must be black also.
The Hollywood Reporter proudly makes note of the fact that they are looking for only black people to do it all, and are looking for a black director. The piece unabashedly excludes the film’s producer J.J. Abrams as a candidate purely because it would be “tone-deaf.”
Nor is that all. Hollywood also wants the focus for all its future superhero films to be “diversity” and racial oppression rather those evil and quaint old concepts of “truth, justice, and the American way.”
» Read more
A banned race in Hollywood.
Blacklists are back and Hollywood’s got ’em: Warner Brothers has decided its next Superman will be super-woke and must star a black Superman.
More important, the studio has decided that in order to make the film the “super-woke” concept they envision it must only hire blacks to make it. Not only has the studio hired a black writer to write the script, it is insisting that the director and crew must be black also.
The Hollywood Reporter proudly makes note of the fact that they are looking for only black people to do it all, and are looking for a black director. The piece unabashedly excludes the film’s producer J.J. Abrams as a candidate purely because it would be “tone-deaf.”
Nor is that all. Hollywood also wants the focus for all its future superhero films to be “diversity” and racial oppression rather those evil and quaint old concepts of “truth, justice, and the American way.”
» Read more