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Readers! A November fund-raising drive!

 

It is unfortunately time for another November fund-raising campaign to support my work here at Behind the Black. I really dislike doing these, but 2025 is so far turning out to be a very poor year for donations and subscriptions, the worst since 2020. I very much need your support for this webpage to survive.

 

And I think I provide real value. Fifteen years ago I said SLS was garbage and should be cancelled. Almost a decade ago I said Orion was a lie and a bad idea. As early as 1998, long before almost anyone else, I predicted in my first book, Genesis: The Story of Apollo 8, that private enterprise and freedom would conquer the solar system, not government. Very early in the COVID panic and continuing throughout I noted that every policy put forth by the government (masks, social distancing, lockdowns, jab mandates) was wrong, misguided, and did more harm than good. In planetary science, while everyone else in the media still thinks Mars has no water, I have been reporting the real results from the orbiters now for more than five years, that Mars is in fact a planet largely covered with ice.

 

I could continue with numerous other examples. If you want to know what others will discover a decade hence, read what I write here at Behind the Black. And if you read my most recent book, Conscious Choice, you will find out what is going to happen in space in the next century.

 

 

This last claim might sound like hubris on my part, but I base it on my overall track record.

 

So please consider donating or subscribing to Behind the Black, either by giving a one-time contribution or a regular subscription. I could really use the support at this time. There are five ways of doing so:

 

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Gunhild Carling – Jazz on a bagpipe

An evening pause: Hat tip Jim Mallamace.

Genesis cover

On Christmas Eve 1968 three Americans became the first humans to visit another world. What they did to celebrate was unexpected and profound, and will be remembered throughout all human history. Genesis: the Story of Apollo 8, Robert Zimmerman's classic history of humanity's first journey to another world, tells that story, and it is now available as both an ebook and an audiobook, both with a foreword by Valerie Anders and a new introduction by Robert Zimmerman.

 

The print edition can be purchased at Amazon or from any other book seller. If you want an autographed copy the price is $60 for the hardback and $45 for the paperback, plus $8 shipping for each. Go here for purchasing details. The ebook is available everywhere for $5.99 (before discount) at amazon, or direct from my ebook publisher, ebookit. If you buy it from ebookit you don't support the big tech companies and the author gets a bigger cut much sooner.


The audiobook is also available at all these vendors, and is also free with a 30-day trial membership to Audible.
 

"Not simply about one mission, [Genesis] is also the history of America's quest for the moon... Zimmerman has done a masterful job of tying disparate events together into a solid account of one of America's greatest human triumphs."--San Antonio Express-News

5 comments

  • Alex Andrite

    WHOA !
    What would Rabbie Burns have to say about this hot stuff ?
    Oh my !

  • That is Gunhild Carling’s first NYC appearence with the band Swingadelic at the Central Park Bandshell in May of 2014 for the Frankie 100 concert. Frankie Manning was a famed Lindy Hopper. It was a pleasure to meet and perform with her and we’ve done so many times since then. Regards, Dave Post/Swingadelic

  • LocalFluff

    Horrible! Terrible! Horrible again!

  • t-dub

    Not my cup of tea but everyone is different. Whatever floats your boat . . .

  • Jim Mallamace

    Dave Post, thanks for your background on this performance (and for your bass line)! When I submitted this to Bob as a possible Evening Pause, I had no idea one of his readers was the band organizer. I mentioned to Bob that nobody dislikes bag pipes more than I, but after hearing Gunhild’s performance, I’ll have to rethink my antipathy to the instrument. Maybe it’s just Amazing Grace I dislike.

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