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Readers!

 

It is now July, time once again to celebrate the start of this webpage in 2010 with my annual July fund-raising campaign.

 

This year I celebrate the fifteenth anniversary since I began Behind the Black. During that time I have done more than 33,000 posts, mostly covering the global space industry and the related planetary and astronomical science that comes from it. Along the way I have also felt compelled as a free American citizen to regularly post my thoughts on the politics and culture of the time, partly because I think it is important for free Americans to do so, and partly because those politics and that culture have a direct impact on the future of our civilization and its on-going efforts to explore and eventually colonize the solar system.

 

You can’t understand one without understanding the other.

 

Please consider supporting my work here at Behind the Black. Your help allows me to do this kind of intelligent independent analysis you don’t find elsewhere. I take no advertising or sponsors, so my reporting isn’t influenced by donations by established companies or political movements. Instead, I rely entirely on donations and subscriptions from my readers, which gives me the freedom to write what I think, unencumbered by outside influences.

 

You can support me either by giving a one-time contribution or a regular subscription. There are four ways of doing so:

 

1. Zelle: This is the only internet method that charges no fees. All you have to do is use the Zelle link at your internet bank and give my name and email address (zimmerman at nasw dot org). What you donate is what I get.

 

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Mitch & Mickey – When You’re Next to Me

An evening pause: This movie scene was created for the Christopher Guest pseudo-documentary film A Mighty Wind (2003), recreating with marvelous and loving accuracy a look back at the folk song era of the 1960s, but doing it about a bunch of completely mythical folk groups. The song is by the actor Eugene Levy, who plays Mitch. Catherine O’Hara plays Mickey.

The irony is that though this is actually the best song by far in the movie, the scene was deleted. The only time you hear this song is over the end credits. However, as Levy is quoted on the youtube page:

“At the end of this movie, when we do the concert, it was all filmed basically live. We’re not pre-recording the music and lip-synching to it. We’re actually filming it live. It put a little added pressure on what you thought was a relatively good singing voice. It took a little work and I think I can speak for Catherine, too, as two of the relatively non-musician people. It was exciting and scary.”

A touching and surprisingly effective film, expressing the magic that can happen to us all, but sometimes only in a short burst that is soon lost and cannot be truly recaptured.

Genesis cover

On Christmas Eve 1968 three Americans became the first humans to visit another world. What they did to celebrate was unexpected and profound, and will be remembered throughout all human history. Genesis: the Story of Apollo 8, Robert Zimmerman's classic history of humanity's first journey to another world, tells that story, and it is now available as both an ebook and an audiobook, both with a foreword by Valerie Anders and a new introduction by Robert Zimmerman.

 

The print edition can be purchased at Amazon. from any other book seller, or direct from my ebook publisher, ebookit. The ebook is available everywhere for $5.99 (before discount) at amazon, or direct from my ebook publisher, ebookit. If you buy it from ebookit you don't support the big tech companies and the author gets a bigger cut much sooner.


The audiobook is also available at all these vendors, and is also free with a 30-day trial membership to Audible.
 

"Not simply about one mission, [Genesis] is also the history of America's quest for the moon... Zimmerman has done a masterful job of tying disparate events together into a solid account of one of America's greatest human triumphs."--San Antonio Express-News

2 comments

  • Joe Rosario

    Loved the movie and all of the music that came from it. Thanks for sharing it.

  • tmonfort

    Of the many excellent original songs in the soundtrack, agree that this is likely the best. Every one fits nicely into the 60’s folk era. As for Levy and O’Hara being relatively non-musician people, hard to agree with them, from the singing and the way they handle their instruments. Thank you for posting.

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