One Voice Children’s Choir – America the Beautiful

An evenig pause: Man, do these kids belt this out.

This was once a standard that all kids sang in school. I doubt they teach it anymore. Even when they did, they would rarely make the meaning of the lyrics very clear (Read them all, they are quite profound). Consider for example the most well know first chorus:

America! America!
God shed his grace on thee
And crown thy good with brotherhood
From sea to shining sea!

It asks for God’s grace, demands goodness from us all, for the sake of brotherhood.. I’ll take that aspiration any day over the modern hateful, diversive Marxist ideologies of critical race theory that strives to tear people apart and instill distrust and racial bigotry.

Hat tip Dan Morris.

Jim Nabors – Impossible Dream

An evening pause: Performed in season four, 1967, of the Gomer Pyle television show, where Nabors played Gomer Pyle as a country bumpkin. When he sang this, however, he shocked not only his sergeant, he surprised the nation, since few knew he was such a polished singer.

The song is from my childhood, when Americans were all hopeful, confident, and knew their nation’s real history, based on liberty and freedom, a history that had strived consistently to achieve that for everyone.

Hat tip Tom Biggar.

Don McLean – Vincent

An evening pause: Performed live 1999.

I often empathize greatly with this song, and its closing verses:

Now I think I know
What you tried to say to me
And how you suffered for your sanity
And how you tried to set them free

They would not listen, they’re not listening still
Perhaps they never will

Seven Brides for Seven Brothers – Lonesome Polecat

An evening pause: This song, from the 1954 MGM classic musical, was one of the first evening pauses I posted back in 2010. As Diane and I recently rewatched the musical, I think it time to repost it. As I said then,

This haunting song from the movie Seven Brides for Seven Brothers is notable not only because of the beauty of the music and dancing, but because the entire number is shot as one take, no cuts. Everyone, from the actors with their axes to the crew moving the camera on its dolly and crane, had to be right on cue for everything to work.

Having spent almost twenty years in the movie business, I can promise you that this is not easy.

The 2010 evening pause uses the original voice of red-haired Matt Mattox, which was dubbed for the movie.

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