Leonard Cohen – Hallelujah
An evening pause: Cohen’s very personal prayer to life and existence.
Hat tip Alton Blevins.
An evening pause: Cohen’s very personal prayer to life and existence.
Hat tip Alton Blevins.
An evening pause: Performed live 1965. That’s Frank Sinatra, Sammy Davis, Dean Martin, and Johnny Carson.
Hat tip Wayne DeVette.
An evening pause: Hat tip Alton Blevins.
An evening pause: Performed live on television, and includes Etta James, George Benson, Carlos Santana, Dr. John, and Tom Scott.
Hat tip Mike Nelson.
An evening pause: The Rogers & Hammerstein classic from the 1945 musical Carousel. Pop groups in the 1960s routinely covered classics like this, because they knew their music history, used it to influence their own work, and also wished to celebrate it.
Hat tip Diane Zimmerman.
An evening pause: The interviews give a perspective that might surprise you.
Hat tip Wayne DeVette.
An evening pause: Performed live, with a full orchestra, 2013.
Hat tip John Jossy.
An evening pause: I admit that I was never a fan of Winehouse, but quality is still quality, even if one has different tastes.
Hat tip Doug Johnson.
An evening pause: Performed live 1994.
Hat tip Alton Blevins.
An evening pause: Shot on location at London’s Rivoli Ballroom.
Hat tip Judd Clark.
An evening pause: As one commenter on youtube said, “This guy’s body must be fully made of water.”
Hat tip Dave McCooey.
An evening pause: I bet you didn’t know that this music was by Sousa. I also suspect Sousa would have never guessed how this march would become so well known in the late 20th century.
Hat tip Tom Biggar.
An evening pause: Time for another Berkeley extravaganza. This except is only a small part of the full thirteen-plus minute Lullaby of Broadway number in the movie Gold Diggers of 1935. This movie was made when the talking pictures were still new, and making films that highlighted “All Talking! All Singing! All Dancing!” was the rage. It was also a time when all Americans danced arm-in-arm as one of their main forms of entertainment, so interest in great dancing like this was at its height.
Hat top Judd Clark.
An evening pause: Performed live I think in 2010.
Hat tip Cotour.
An evening pause: I normally dislike music videos like this one, with their fake drama and stagey lip-synched performance, but this song is so beautiful and the visuals match so well that I gladly make an exception this time, especially because I have wanted to post this song as a pause for years, but never could find a version I liked.
Hat tip Alton Blevins.
An evening pause: A 1978 music video.
Hat tip Blair Ivey, who notes “The lyrics suggest a man asking a woman to leave her current relationship,
but the metaphor could be extended to the nascent ‘What the heck are you doing to my country?!!'”
An evening pause: A very strange instrument from the 1970s whose keys play strips of magnetic audio tape for each note. You can listen to a performance of “Nights in White Satin” on a Mellotron here. This is definitely a sound from the 1970s, used in many songs of that time.
Hat tip Judd Clark.
An evening pause: I was listening to a different recording of this song by Gordon Bok, Ann Muir, and Ed Trickett from 1978 and thought it gives us a window into a gentle culture that is now dead. As the youtube webpage for the performance below states, the song was written as “a tribute to the women who took up morris dancing during the First World War, when the male mortality rate in some English towns and villages approached seventy percent.”
It is the gentle quality of this song, its words and its sound, that is generally dead in today’s culture. Almost all modern music must be loud — shouted more than sung — with a rock beat that while energetic and enthusiastic is also somewhat harsh. Curse words are normal. It is rare to hear new popular music dedicated to expressing gentle soft love.
I post this as a memorial to that lost civilization.
An evening pause: Performed live 2004.
Hat tip Diane Zimmerman.
An evening pause: From the 1933 Hollywood musical, Footlight Parade, one of Berkeley’s most spectacular overhead dance numbers. Remember, no CGI. These are real women performing this number.
Hat tip Judd Clark.