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Readers!

 

My July fund-raising campaign to celebrate the fifteenth anniversary since I began Behind the Black is now over. I want to thank all those who so generously donated or subscribed, especially those who have become regular supporters. I can't do this without your help. I also find it increasingly hard to express how much your support means to me. God bless you all!

 

The donations during this year's campaign were sadly less than previous years, but for this I blame myself. I am tired of begging for money, and so I put up the campaign announcement at the start of the month but had no desire to update it weekly to encourage more donations, as I have done in past years. This lack of begging likely contributed to the drop in donations.

 

No matter. I am here, and here I intend to stay. If you like what I do and have not yet donated or subscribed, please consider supporting my work here at Behind the Black. You can support me either by giving a one-time contribution or a regular subscription. There are four ways of doing so:

 

1. Zelle: This is the only internet method that charges no fees. All you have to do is use the Zelle link at your internet bank and give my name and email address (zimmerman at nasw dot org). What you donate is what I get.

 

2. Patreon: Go to my website there and pick one of five monthly subscription amounts, or by making a one-time donation.
 

3. A Paypal Donation or subscription:

 

4. Donate by check, payable to Robert Zimmerman and mailed to
 
Behind The Black
c/o Robert Zimmerman
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You can also support me by buying one of my books, as noted in the boxes interspersed throughout the webpage or shown in the menu above.


Ben-Hur – The Chariot Race

An evening pause: This clip is actually only the last half of the chariot race scene from Ben-Hur (1959), still one of the greatest action sequences ever put on film. And not only was it on film, but they did it without any computer animation. What you see is real, real horses and real chariots and real actors and real very skilled and brave stunt men. (See this short film on how the even earlier 1925 silent-era epic film Ben-Hur version was made, in a similar manner.)

If you get the chance, watch the 1959 film. Truly a great Hollywood epic.

Hat tip Phil Berardelli, author of the new edition of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.

Genesis cover

On Christmas Eve 1968 three Americans became the first humans to visit another world. What they did to celebrate was unexpected and profound, and will be remembered throughout all human history. Genesis: the Story of Apollo 8, Robert Zimmerman's classic history of humanity's first journey to another world, tells that story, and it is now available as both an ebook and an audiobook, both with a foreword by Valerie Anders and a new introduction by Robert Zimmerman.

 

The print edition can be purchased at Amazon or from any other book seller. If you want an autographed copy the price is $60 for the hardback and $45 for the paperback, plus $8 shipping for each. Go here for purchasing details. The ebook is available everywhere for $5.99 (before discount) at amazon, or direct from my ebook publisher, ebookit. If you buy it from ebookit you don't support the big tech companies and the author gets a bigger cut much sooner.


The audiobook is also available at all these vendors, and is also free with a 30-day trial membership to Audible.
 

"Not simply about one mission, [Genesis] is also the history of America's quest for the moon... Zimmerman has done a masterful job of tying disparate events together into a solid account of one of America's greatest human triumphs."--San Antonio Express-News

3 comments

  • Phill O

    For rodeo goers, this is pretty good. The Austin Manitoba has two horse chariots for most of the races but occasionally one can catch a two person (4 horses each) in a race. Pretty intense! No cutters on wheels though.

  • Phil Berardelli

    That moment in the first quarter of the video where the horses and chariot must jump over the wreckage features stunt coordinator and second-unit director Yakima Canutt’s son subbing for Charlton Heston. Though he was injured, miraculously he managed to hold on after being thrown forward. Then director Wyler shot a cut-in where Heston climbs back into the chariot. Astounding, but that was the only mishap in the entire 10-day shoot.

  • Phill O

    Amazing! When men were men and Hollywood was right.

Readers: the rules for commenting!

 

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