Samara Ginsberg – Inspector Gadget for 8 cellos
The support of my readers through the years has given me the freedom and ability to analyze objectively the ongoing renaissance in space, as well as the cultural changes -- for good or ill -- that are happening across America. Four years ago, just before the 2020 election I wrote that Joe Biden's mental health was suspect. Only in this year has the propaganda mainstream media decided to recognize that basic fact.
Fourteen years ago I wrote that SLS and Orion were a bad ideas, a waste of money, would be years behind schedule, and better replaced by commercial private enterprise. Even today NASA and Congress refuse to recognize this reality.
In 2020 when the world panicked over COVID I wrote that the panic was unnecessary, that the virus was apparently simply a variation of the flu, that masks were not simply pointless but if worn incorrectly were a health threat, that the lockdowns were a disaster and did nothing to stop the spread of COVID. Only in the past year have some of our so-called experts in the health field have begun to recognize these facts.
Your help allows me to do this kind of intelligent analysis. I take no advertising or sponsors, so my reporting isn't influenced by donations by established space or drug companies. Instead, I rely entirely on donations and subscriptions from my readers, which gives me the freedom to write what I think, unencumbered by outside influences.
Please consider supporting my work here at Behind the Black.
You can support me either by giving a one-time contribution or a regular subscription. There are five ways of doing so:
1. Zelle: This is the only internet method that charges no fees. All you have to do is use the Zelle link at your internet bank and give my name and email address (zimmerman at nasw dot org). What you donate is what I get.
2. Patreon: Go to my website there and pick one of five monthly subscription amounts, or by making a one-time donation.
3. A Paypal Donation:
5. Donate by check, payable to Robert Zimmerman and mailed to
Behind The Black
c/o Robert Zimmerman
P.O.Box 1262
Cortaro, AZ 85652
You can also support me by buying one of my books, as noted in the boxes interspersed throughout the webpage or shown in the menu above. And if you buy the books through the ebookit links, I get a larger cut and I get it sooner.
Poor fretless stringed orch critters such as the violin, viola, cello, and double bass, were really designed to play in groups, unlike pianos and guitars, whose natural habitats are acapella.
What’s the dif between a fiddle and a violin?
The same dif as between C# and Db!
*laugh dammit*
I enjoyed it and listened to her others as well. I thought the best one she did was the Airwolf theme.
That was fun! I played cello for 10 years, growing up. I assume she knows about Villa-Lobos’s Bachianas Brasileiras. No. 1 is scored for 8 cellos! No. 5 for 8 cellos and soprano.
@janyuary, solos and no frets – not a problem. As you learn the instrument, you begin to know where the notes are. You just know. I have trouble comprehending how to play with frets.
I always thought of cellos as junior basses, and violas as jumbo violins. I know the viola is tuned in fifths like the violin, and that for violin and double bass, the order of the strings is reversed, on the bass tuned in fourths, lowest is e, then a, then d then g as the highest, and that violin tuned in fifths is lowest g, next d, then a and e … tuned in fifths. I expect cellos, like basses, must be tuned in fourths, lowest to highest. It makes more sense. Cellos are beautiful things played well.
Diane, I hope you still play or return to it … on a fretless orch critter, learning young it’s like riding a bicycle any age. You always remember how to play, it comes back quickly. Me, frets freak me out. You have to be smart to play an instrument with frets. I don’t think one has to be too bright to play an orch beast!
The conductor of a well known city symphony once asked me if I knew the difference between a viola and a violin. Before I could frame a literate response, he answered his own question: “The viola takes longer to burn if you throw them both on a bonfire!”
Ah, musicians humor …