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Readers!

 

It is now July, time once again to celebrate the start of this webpage in 2010 with my annual July fund-raising campaign.

 

This year I celebrate the fifteenth anniversary since I began Behind the Black. During that time I have done more than 33,000 posts, mostly covering the global space industry and the related planetary and astronomical science that comes from it. Along the way I have also felt compelled as a free American citizen to regularly post my thoughts on the politics and culture of the time, partly because I think it is important for free Americans to do so, and partly because those politics and that culture have a direct impact on the future of our civilization and its on-going efforts to explore and eventually colonize the solar system.

 

You can’t understand one without understanding the other.

 

Please consider supporting my work here at Behind the Black. Your help allows me to do this kind of intelligent independent analysis you don’t find elsewhere. I take no advertising or sponsors, so my reporting isn’t influenced by donations by established companies or political movements. Instead, I rely entirely on donations and subscriptions from my readers, which gives me the freedom to write what I think, unencumbered by outside influences.

 

You can support me either by giving a one-time contribution or a regular subscription. There are four ways of doing so:

 

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August 17, 2023 Zimmerman/Pratt on Texas podcast

I appeared today for about 45 minutes with Robert Pratt as part of his Pratt on Texas podcast, discussing a whole range of blacklists stories with him. We also talked about my most recent book, Conscious Choice, which if you are a fan of my work and have not yet read it you need to buy it now! No more delays or procrastination! You have your orders.

This is part one of a two part interview, the second half of which Pratt plans to post this coming week.

That podcast is embedded below. It can also be listened to here.

Genesis cover

On Christmas Eve 1968 three Americans became the first humans to visit another world. What they did to celebrate was unexpected and profound, and will be remembered throughout all human history. Genesis: the Story of Apollo 8, Robert Zimmerman's classic history of humanity's first journey to another world, tells that story, and it is now available as both an ebook and an audiobook, both with a foreword by Valerie Anders and a new introduction by Robert Zimmerman.

 

The print edition can be purchased at Amazon. from any other book seller, or direct from my ebook publisher, ebookit. The ebook is available everywhere for $5.99 (before discount) at amazon, or direct from my ebook publisher, ebookit. If you buy it from ebookit you don't support the big tech companies and the author gets a bigger cut much sooner.


The audiobook is also available at all these vendors, and is also free with a 30-day trial membership to Audible.
 

"Not simply about one mission, [Genesis] is also the history of America's quest for the moon... Zimmerman has done a masterful job of tying disparate events together into a solid account of one of America's greatest human triumphs."--San Antonio Express-News

3 comments

  • Robert Pratt

    Thanks for joining me. Just for accuracy, this Blacklisted Americans update was not a Podcast Extra from Pratt on Texas but aired on radio as the main show – as does the next one next week. Not a big deal but the next episode is set to air at 5pm CDT on Tuesday, 22 August 2023 and if you want to listen as it airs, with all my great Texas music collection, you can listen to the stream from a radio affiliate. https://prattontexas.com/affiliates/
    Music has always been a big part of Pratt on Texas and I am unhappy that I cannot run the music on the podcast version due to licensing.

  • Robert Pratt: I had forgotten this was aired on the live radio show. Had I remembered I would have plugged it before the broadcast. I will do so prior to next week’s airing.

  • wayne

    Mr. Pratt–
    Question– how does that all work, ref– music licensing?
    I assume you have some sort of blanket license for radio (?), and I’m under the impression for podcasting that it depends on the specific music and the number in the audience?

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