Luca Stricagnoli – Can’t Stop
An evening pause: Song by the Red Hot Chili Peppers.
Hat tip Mike Nelson.
A nightly pause from the news to give the reader/viewer a bit of classic entertainment.
An evening pause: Song by the Red Hot Chili Peppers.
Hat tip Mike Nelson.
An evening pause: Another movie pause tonight, this time showing the films themselves. This clip includes two performances of this song, from two different Astaire & Rogers films. The first, from Shall We Dance? (1937), has Astaire singing the song, knowing that the Rogers character is leaving him. Of course she ends up not going.
The second clip is from The Barkleys of Broadway (1949), their last film together and done after a split of ten years. They knew then this would be their last film, and now the words have a meaning far greater than the story in the film. When they exit at the end of this song, they know it is pretty much for the last time.
Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
An evening pause: The theme song from Goldfinger (1964) might have been one of the best theme songs among all the Bond films. This live performance by the voice from that original film is from 2011, when she was 78 years old.
Hat tip Tom Biggar.
An evening pause: The visuals here have a very nice documentary feel, even those shots which were clearly staged. They all invoke the highway world of travelers, almost anywhere in the U.S.
Hat tip Robert Pratt of Pratt on Texas.
An evening pause: Without question Hanks has been one of the world’s best actors in the past three decades. And his choice of scripts has always been excellent. From Forrest Gump (1994).
Hat tip Cotour.
An evening pause: From the youtube page:
The Puttinโ On The Ritz music video is a creative collaboration between Alpert, artist Glenn Kaino and filmmaker Afshin Shahidi with choreographers Napoleon & Tabitha D’umo from So You Think You Can Dance and produced by Kerith Lemon. One long camera shot follows the lead dancer, Vincent Noiseux on a musical journey and features musicians Lani Hall, Bill Cantos, Hussain Jiffry and Michael Shapiro as well as corps dancers like Kherington Payne and others that have been seen on So You Think You Can Dance, Americaโs Best Dance Crew, Dancing with the Stars, This is It, Step Up and more.
Hat tip Tom Biggar, who notes that Albert makes some cameos, which I think includes both the bus driver and the bartender.
An evening pause: If only we could always communicate this easily with government officials.
Hat tip Phill Oltmann.
An evening pause: Sadly, I think this short film captures well the cold inhumanity of the coming future, even if it also shows us a technological society capable of routine tourist travel to the stars.
Hat tip Cotour.
An evening pause: On this day of remembrance, this song seems fitting. And as the lyrics boldly state,
I won’t be made to ever feel ashamed
that I’m American made
I got American parts
I got American faith
In America’s heart
Go on, raise the flag
I got stars in in my eyes
I’m in love with her
And I won’t apologize.
The image that best reveals what America represents, as a messenger of freedom, is that photograph of the American soldier gently cradling a baby refugee from war. Or as said in the 1993 movie Gettysburg, “We are here for something new. This has not happened much in the history of the world. We are an army out to set other men free.”
An evening pause: Hat tip to Thomas Biggar, who wrote, “This piece was written by Michel Colombier and released in 1971. Emmanuel was written to honour the memory of his son who died when he was only 5 years old.”
An evening pause: The last line however is the real point.
Hat tip Cotour.
An evening pause: Kinda calm and relaxing.
Hat tip Thomas Biggar Rex Ridenoure of Ecliptic Enterprises.
Both have been generous with their suggestions, I just got them confused for this particular pause.