Gina Lollobrigida – Pagan dance

An evening pause: I think this makes a great start to the weekend. Clips from the 1959 movie Solomon and Sheba, centered on Gina’s pagan dance as Sheba, and edited to a piece of music by Dead Can Dance, called Cantara, which the youtube website labels “genuinely pagan music.” If you want to see the original film, go here and go to about 90 minutes. In the original, God steps in to stop all this hanky-panky.

Hat tip Judd Clark.

John Gabriel & Nelson Riddle – El Dorado

An evening pause: I think this song quite fitting to end the summer season. Sung by George Alexander, it plays over the opening credits to the classic 1966 John Wayne film of the same name, directed by Howard Hawks. The magnificent paintings that form the backdrop to the credits were painted by Olaf Wieghorst.

My daddy once told me what a man ought to be.
There’s much more to life than the things we can see.
And the godliest mortal you ever will know
Is the one with the dream of El Dorado.

So ride, boldly ride, to the end of the rainbow.
Ride, boldly ride, till you find El Dorado.

Clap Yo’ Hands – Fred Astaire & Kay Thompson

An evening pause: From the 1957 musical Funny Face. I only saw this film for the first time last week, and as I watched this scene I was most amused by Astaire’s dance moves in the second half of this number. “Why, Astaire is doing Gene Kelly!” I exclaimed to Diane.

Both men had their own styles. Kelly was into grand film presentations, acrobatics, and the soft shoe. Fred Astaire was into dance, in all its forms. If you are familiar with Kelly’s dance style you will see immediately how Astaire is parodying it, but with great respect.

Astaire’s partner in this number is Kay Thompson, in her only starring movie role. Thompson had an amazing artistic career, from writer (the Eloise children’s books) to vocal coach for Judy Garland and Gene Kelly to recording artist to night club performer. It is a shame we don’t have more films of her singing and dancing.

Today’s blacklisted American: Hollywood’s new racist discrimination employment policies which blacklist whites

Hollywood: eager to discriminate based on race

They’re coming for you next: According to a lawsuit filled by the non-profit legal firm First Liberty on behalf of James Harker, a white film electrician, the film industry has set up a racially segregated apprentice program that specifically excludes whites and is designed only for minorities.

When Harker complained about the bigoted nature of this program, he was then blacklisted, and has no longer been able to get any freelance jobs, despite 27 years of experience in the industry.

You can read the lawsuit here [pdf]. The program itself is called “Double the Line” (DTL). Its purpose is to force film companies to hire one minority to match every crew person it hires normally. That minority will be paid a full if not higher salary, regardless of his or her experience or training, and will later receive favored treatment in hiring, in order “to push forward a demographic shift,” as noted on the Equity and Inclusion website of the Association of Independent Producers (AICP), one of the defendents in this case.

In other words, the program specifically favors minorities in hiring and training, and specifically excludes whites because of their race.

The lawsuit was triggered when Harker discovered this program on a job. » Read more

Busby Berkeley – Tap dance sequence from Lullaby of Broadway

An evening pause: Time for another Berkeley extravaganza. This except is only a small part of the full thirteen-plus minute Lullaby of Broadway number in the movie Gold Diggers of 1935. This movie was made when the talking pictures were still new, and making films that highlighted “All Talking! All Singing! All Dancing!” was the rage. It was also a time when all Americans danced arm-in-arm as one of their main forms of entertainment, so interest in great dancing like this was at its height.

Hat top Judd Clark.

Today’s blacklisted American: Modern Hollywood now celebrates McCarthyism and blacklisting

Hollywood, home of the modern McCarthyism

The modern dark age: Despite a history during the 1950s McCarthy era, when many of its most talented members were blacklisted because of their leftwing political beliefs, Hollywood today celebrates and encourages the blacklisting of conservative talent.

Consider the blacklisting described by comedian Adam Carolla and late night Fox show host Greg Gutfield during one recent podcast:

“Oh, we can’t get the guys who wrote on ‘Conan’ to come into the writers’ room because they’re scared of being blackballed. It drives me insane that they never stop complaining about McCarthyism and they’re more than happy to blackball anybody who crosses the line,” Carolla said.

“They’re the new McCarthy-ites, especially in this woke culture,” Gutfeld said. “I’m counting on this show succeeding without names and creating our own celebrities, which is actually what happens at Fox.”

Both men also described how, even if a writer or performer wanted to work for them, they often backed out because their agent or publicist told them not to, either because of the same fear or because of hostility to their politics.

In addition, Carolla in a different podcast described how this same blacklisting culture is now being used not just against conservatives, but against those who refuse to bow to the absurd COVID edicts.

The story of one actor, Clifton Duncan, is typical.
» Read more

Julie Andrews – My Favorite Things

An evening pause: From the movie The Sound of Music (1965), a song about teaching children to face fear, to push past it, and live boldly and with courage. And to do it with humor. As Ray Bradbury wrote in his book, Something Wicked This Way Comes, you defeat evil and fear by laughing at it. The world needs to recapture this idea, or else we are doomed.

Hat tip Tom Wilson.

Today’s blacklisted American: Leftist actor/rapper Icecube forced from Sony film rather than get a COVID shot

Ice Cube: now an unclean non-person
Ice Cube: now an unclean non-person
Original photo by Adam Bielawski

They’re coming for you next: Actor and rapper Icecube, who has throughout his career been linked to leftist and pro-black racial causes, has pulled out as one of the leads of a Sony film because he refuses to comply with the film company’s COVID shot mandate.

According to the Hollywood Reporter, which broke the story,

Ice Cube has departed Sony’s upcoming comedy, Oh Hell No, in which he would’ve co-starred with Jack Black, after declining a request from producers to get vaccinated, sources tell The Hollywood Reporter.

Apparently this decision has cost him a $9 million check.

The first link above notes this important point about Ice Cube:
» Read more

Seven Brides for Seven Brothers – Lonesome Polecat

An evening pause: This song, from the 1954 MGM classic musical, was one of the first evening pauses I posted back in 2010. As Diane and I recently rewatched the musical, I think it time to repost it. As I said then,

This haunting song from the movie Seven Brides for Seven Brothers is notable not only because of the beauty of the music and dancing, but because the entire number is shot as one take, no cuts. Everyone, from the actors with their axes to the crew moving the camera on its dolly and crane, had to be right on cue for everything to work.

Having spent almost twenty years in the movie business, I can promise you that this is not easy.

The 2010 evening pause uses the original voice of red-haired Matt Mattox, which was dubbed for the movie.

Today’s blacklisted American: Anyone in Hollywood who is white

A banned race in Hollywood
A banned race in Hollywood.

Blacklists are back and Hollywood’s got ’em: Warner Brothers has decided its next Superman will be super-woke and must star a black Superman.

More important, the studio has decided that in order to make the film the “super-woke” concept they envision it must only hire blacks to make it. Not only has the studio hired a black writer to write the script, it is insisting that the director and crew must be black also.

The Hollywood Reporter proudly makes note of the fact that they are looking for only black people to do it all, and are looking for a black director. The piece unabashedly excludes the film’s producer J.J. Abrams as a candidate purely because it would be “tone-deaf.”

Nor is that all. Hollywood also wants the focus for all its future superhero films to be “diversity” and racial oppression rather those evil and quaint old concepts of “truth, justice, and the American way.”
» Read more

Today’s blacklisted American: A movie about the dark side of Planned Parenthood

Today's modern witch hunt
Burning witches: What Hollywood now routinely tries
to do to conservatives.

Blacklists are back and Hollywood’s got ’em: When long time Hollywood filmmakers Cary Solomon and Chuck Konzelman decided to make the film Unplanned, telling the story of a woman who went from being Planned Parenthood clinic director supporting abortion to an avid advocate for the unborn, they did so under assumed names, and discovered themselves fighting an aggressive effort both in Hollywood and in social media to suppress the film once released.

Multiple cable networks, such as Lifetime, Hallmark Channel, HGTV, USA Network, Food Network, The Travel Channel, refused to carry commercials promoting the film. Multiple theater owners received death threats and harassment prior to screenings, with a few cancelling the screenings out of fear for themselves and their families.

And then there was the usual Twitter censorship.
» Read more

Today’s blacklisted American: Bi-racial make-up artist fired for singing a rap song as requested by black actor

They’re coming for you next: An experienced bi-racial make-up artist was immediately fired from a new Amazon television project for simply singing a rap song — with the black actress who had suggested it and had joined in — that happened to contain the evil N-word that must never be spoken.

Earlier this month, Page Six reported that the artist in question was canned from the “Untitled Tracy Oliver Project” — the new show from the “Girls Trip” creator dubbed the “Black Sex and the City” — for allegedly saying the N-word repeatedly in front of one of the show’s lead actresses, while singing along with a rap song. (We know both the name of the actress and the makeup artist, but we aren’t going to print them due to the sensitivity of the situation. The makeup artist is a veteran of many major TV shows and movies.)

Now Page Six is told that her peers are outraged that the artist was fired for using the word — especially, we’re told, because the makeup artist is biracial.

Her union has done nothing to help this artist, though it graciously decided not to pursue charges against her. How nice of them.

I also do not have much respect for the so-called outrage of the artist’s “peers.” They only care because of her race. If the artist had been white and done the same, inspired by the black artist, I don’t believe they’d care at all. In the modern leftist culture that these people are seeped in the only thing that matters is race. If you have the right minority race, you can do no wrong. If you don’t, your rights are forfeit, and instead you must bow like a slave to that culture.

This is also par for the course for Amazon, which is enthusiastically embracing blackballing for petty and political reasons, almost always against conservatives or anyone who criticizes their leftist racist identity politics.

Robots

An evening pause: This sequence from the animated film Robots (2005) is a very typical scene from almost every modern Hollywood film, whether real or animated (though the difference is getting harder to see as they put more and more CGI in every film). Regardless, it is fun, and takes the idea of a Rube Goldberg device to a very strange extreme.

Hat tip Bob Robert.

Paul Robeson – Ol’ Man River

An evening pause: From the 1936 movie adaptation of the Jerome Kern & Oscar Hammerstein Broadway musical Showboat. While some of the visuals are a bit overstated and feel a bit preachy, this is still the best movie version of this song I have seen. Rather than strut about with big visuals, the film focuses on Robeson, who sings the song introspectively, as if it is something he is thinking.

A bit of trivia: The film’s director was James Whale, the man who made the 1935 classic The Bride of Frankenstein.

Hat tip Edward Thelen.

Buddy Ebsen – I’m nuts about you

An evening pause: Ebsen is joined by Eleanor Powell, Jimmy Stewart, Una Merkel and Sid Silvers in this dance number from the 1936 film, Born to Dance.

Ebsen is remembered most for playing Jed Clampett in the tv comedy series, The Beverley Hillbillies, but he started out as a dancer in movies.

Hat tip Phill Oltmann.

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