Wayne Brady – Thriller

An evening pause: This Postmodern Jukebox version does Michael Jackson’s song in the style of 1930s jazz.

I remember the passion for this song when Jackson first released it in 1982, including crowds forming on the street near Times Square to watch the music video. Yet, I have always wondered why. To me the song and video has always seemed quite uninteresting, almost boring. This version, however, I think brings it to life much better than Jackson. The two dancers are especially good.

Hat tip Diane Zimmerman.

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Martha Raye – No Time At All

An evening pause: From the Broadway musical Pippin.

The words from this song mean more and more to me, with each passing year.

Here is a secret I never have told.
Maybe you’ll understand why.
I believe if I refuse to grow old
I can stay young till I die.
Now, I’ve known the fears of sixty-six years.
I’ve had troubles and tears by the score.
But the only thing I’d trade them for
Is sixty-seven more

Chorus:
Oh, it’s time to start livin’.
Time to take a little from this world we’re given.
Time to take time, cause spring will turn to fall
In just no time at all.

And believe it or not, I see this also as a fitting song for Veterans Day.

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Synchronized cavern diving

An evening pause: They call this a flash mob, but that’s not accurate. These divers did not mysteriously appear here to move in unison in order to surprise someone. They all planned it together.

Nonetheless where they are and what they do is beautiful. I especially like when they coordinate the pointing of their dive lights.

Hat tip Mike Nelson.

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Paul Robeson – Ol’ Man River

An evening pause: From the 1936 movie adaptation of the Jerome Kern & Oscar Hammerstein Broadway musical Showboat. While some of the visuals are a bit overstated and feel a bit preachy, this is still the best movie version of this song I have seen. Rather than strut about with big visuals, the film focuses on Robeson, who sings the song introspectively, as if it is something he is thinking.

A bit of trivia: The film’s director was James Whale, the man who made the 1935 classic The Bride of Frankenstein.

Hat tip Edward Thelen.

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