The Cardigans – You’re The Storm

An evening pause: Hat tip Dan Morris.

Readers: I am in need of evening pause suggestions! If you’ve seen something on the web that you think would fit, note this fact as a comment below. Do NOT post a link to your suggestion. I will email you and schedule it.

And if you’ve suggested previously, please feel free to email me some new stuff! The guidelines:

1. The subject line should say “evening pause.”
2. Don’t send more than three in any email. I prefer however if you send them one email at a time.
3. Variety! Don’t send me five from the same artist. I can only use one. Pick your favorite and send that.
4. Live performance preferred.
5. Quirky technology, humor, and short entertaining films also work.
6. Search BtB first to make sure your suggestion hasn’t already been posted.
7. I might not respond immediately, as I schedule these in a bunch.
8. Avoid the politics of the day. The pause is a break from such discussion.

6 comments

Chuck Yeager – Breaking the Sound Barrier

An evening pause: From a 1950s Air Force documentary, describing Yeager’s flight on October 14, 1947. The 75th anniversary of this achievement is thus only two months away. From the YouTube webpage:

Two nights before the scheduled date for the flight, Yeager broke two ribs when he fell from a horse. He was worried that the injury would remove him from the mission and reported that he went to a civilian doctor in nearby Rosamond, who taped his ribs. Yeager told only his wife, as well as friend and fellow project pilot Jack Ridley, about the accident. On the day of the flight, Yeager was in such pain that he could not seal the X-1’s hatch by himself. Ridley rigged up a device, using the end of a broom handle as an extra lever, to allow Yeager to seal the hatch.

Hat tip Mike Nelson.

2 comments

Fred Astaire & Ginger Rogers – Never Gonna Dance

An evening pause: We’ve had a lot of 1970s pop songs and dance recently. Here’s an example of one of the greatest movie dance numbers, from the 1936 movie Swing Time. Note how smooth and ballet-like it is, unlike the staccato and gymnastic styles that began to dominate dance after the 1960s.

Note also the remarkable lack of cuts. The dance is performed with only one cut, which means Astaire and Rogers had to get it perfect, the whole way through each of these two shots. It took 47 takes before they succeeded.

9 comments
1 78 79 80 81 82 339