Bobby Pickett – Monster Mash
An evening pause: From American Bandstand with Dick Clark, October 13, 1964. Perfect in anticipation of Halloween. And yes, believe it or not it was a pop hit in the mid-1960s.
Hat tip Tom Biggar.
An evening pause: From American Bandstand with Dick Clark, October 13, 1964. Perfect in anticipation of Halloween. And yes, believe it or not it was a pop hit in the mid-1960s.
Hat tip Tom Biggar.
A evening pause: The Jimi Hendrix song, played on a customized gayageum. I do not think the Koreans who created this instrument ever expected this kind of music to come from it.
Hat tip Mike Nelson.
An evening pause: It is always important to recognize that our heavy machinery is really nothing more than an extension of our hands and arms. This video proves it.
Hat tip Martin Kaselis.
An evening pause: Hat tip Robert Pratt of Pratt on Texas.
An evening pause: Bowen is on the Welsh triple harp. They do two songs, Ar Hyd y Nos (All Through the Night) and the theme from Doctor Who.
Hat tip Marcus A.
An evening pause: They call this a flash mob, but that’s not accurate. These divers did not mysteriously appear here to move in unison in order to surprise someone. They all planned it together.
Nonetheless where they are and what they do is beautiful. I especially like when they coordinate the pointing of their dive lights.
Hat tip Mike Nelson.
An evening pause: A short trip into the art of Bob Ross.
Hat tip Cotour.
An evening pause: Kiroshka made the film. Evgeny Kovalev made the guitar. Andrew Matveenko played it.
Hat tip Mike Nelson.
A evening pause: Somehow this seems a perfect way to end the week.
Hat tip Robert Pratt of Pratt on Texas.
An evening pause: I used to post magic quite regularly in my evening pauses. Hat tip to Cotour for renewing that custom.
An evening pause: Performed live in 2015.
Hat tip to Diane Zimmerman, who also discovered Hackett was performing in a Tucson concert tonight, so that is where we are, even as you watch this video.
An evening pause: From the 1936 movie adaptation of the Jerome Kern & Oscar Hammerstein Broadway musical Showboat. While some of the visuals are a bit overstated and feel a bit preachy, this is still the best movie version of this song I have seen. Rather than strut about with big visuals, the film focuses on Robeson, who sings the song introspectively, as if it is something he is thinking.
A bit of trivia: The film’s director was James Whale, the man who made the 1935 classic The Bride of Frankenstein.
Hat tip Edward Thelen.