The profound life’s work of Richard Rodgers
Sometimes in art there are times when culture, timing, talent, and teamwork combine to produce a magic that is eternal and beyond measure. For Richard Rodgers and Oscar Hammerstein, that time occurred from 1943 to 1959, when these two men created a string of musicals so grand that each
would become not just familiar but universally beloved, played over and over again until the words and melodies had become meshed, it seemed, with one’s very existence. To have one’s complete score memorized by a whole population would, it would seem for a composer, to have been all that life has to offer.
This quote comes from Meryle Secrest’s fine 2001 biography of Richard Rodgers, Somewhere for me: a biography of Richard Rodgers. It tells a story of a man who from childhood was obsessed with writing music, who struggled for decades to write musicals where the music and song flowed naturally from the plot and characters, and who changed with time as time changed him. Outside of his music and his commitment to it, he was however a very normal man, with a marriage that at times was stormy but held together despite those storms.
But it is Rodgers’ best music — written for the lovely words of Oscar Hammerstein — for which we most remember him. I grew up in the 1950s and 1960s, so I lived at a time when these Rodgers and Hammerstein musicals were being memorized by a whole population. As a child my parents subscribed to a musical record club, which sent them a new album every month. I would spend hours listening to the songs from Oklahoma, South Pacific, The Sound of Music, the King and I, and Carousel. And on television I got to see Julie Andrews in a live production of Cinderella.
In listening to these songs, I quickly realized, even as a child, that there was something deeply profound in those words and music, touching something deeper than mere beauty, a more fundamental but utterly inexplicable aspect of our existence. As I wrote in 2018 when I posted an evening pause of Juanita Hall singing Bali Ha’i from South Pacific,
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